Zombie Pride Parade Worklog - Tim Leigh
This is my first effort into writing specifially in the comic format (other than when I was 8), and I understand that it may be a tough project to sell to anyone, collaborators or publishers. If nothing else, it will be something I use to break into some good habits, but I would also love to see something come of it if I were to put in the necessary work to do so.
The concept is that a zombie outbreak occurs during, and mostly localized within, a Chicago Gay Pride Parade. It follows the story of a group of survivors thrown together from the course of events, and the majority of the themes - other than escaping zombies - are developed in the characters conflicts with each other's lifestyles. The group is a mixture of gay, straight, atheist, and Christian, and even though the story is clearly meant to advocate tolerance of the LGBT community, it also tries to give each character a chance to see from their point of view. The device of the "Gay Zombie" is meant to satarize how the "gay issue" is seen not only by the Christian community, but popular culture as a whole. I've always thought it was interesting that we have our outlets for violence against others - for instance if I'm playing a video game, I have no guilt about blowing up zombies, Nazis, or ill-intentioned aliens. The concept is intended to subtly compare that excused sense of violence with the excuses we make with how we treat the homosexual community in America and around the world.
And therein, I suppose, lies the problem. I'm worried it's not gruesome enough to be a horror comic or wacky enough to be a humor comic. I also know that telling an artist that I have a story that takes place during a parade may cause them to say "Hi and bye" all at once due to the volume and effort that would be required.
I currently have two 20 page scripts written. My next step, other than getting started on issue 3, is workshopping what I've currently written to see where I can make improvements. As I said, I understand that this project may never reach fruition, but it was a story in my head that I couldn't shake and I'll be happy once it's all on paper. Once I've gotten what I can from this experience, I will be more able to pitch a nice concept focused on a single character that rarely goes to parades and prefers punching faces to tackling social issues.
Comments
@JasonFranks, I hadn't thought about how that type of continuity would be such a challenge. Not so much the challenge of continuity itself, but the difficulty in arranging complex movements for various individuals and visualizing what that would mean in future views. It must be different to have, say, 10 people in a group who all share the same goal vs. a splintered setting with groups interacting independently and causing such a headache. Also, when you say "camera", were you working with a physcal camera or is this just how you identify with the view of each panel? I only ask because I myself am self conscious about calling a view of something a "shot" or to use too much TV or movie lingo in the CB script, even though I know a lot of the same concepts are shared between each medium. I just found that interesting.
For the second shot of the crowd scene I mentioned earlier, I asked the artist to show it from the same angle, both to make it less of a hassle to recreate (though perhaps less interesting than a new shot would've been), but also to show that a new character had arrived on the scene.
Finished draft of Issue 3 script. Found myself temperarily sidetracked with illustrating a personalized childrens book for my son at the request of my wife, but excited to return to this. Having to modify my outline to accomodate changes. Hoping to end the story by 5th issue. Also hoping to find a group/colleague to workshop what I have so far as this is still a new process for me.
Beginning to talk to artists, but not necessarily for this project. Made some promising connections within my network with some very talented folks who have a passion for the medium but have not been published and may be closer to my level. Not sure what it means yet, and not holding my breath, but would like to begin collaborating on something very soon. Also looking at artists for hire and just beginning to get an idea of what range to expect. May divert my attention to an 8 page short story to build my body of work.
I think that working a short piece or several to completion is a good idea. It's less time invested, and the things you figure out in the process of writing an 8-page story may help improve the longer one. A shorter story does put some additional demands on the writer, to not waste space with things that don't advance the story, but it can be less demand (time) on a potential collaborator.
Here is a link to my public dropbox. I have put up my first 3 scripts for the story. My plan is to wrap it up after issue 5. I am open to all criticism or advise. I wouldn't expect most people to want to read all of it, but whatever little feedback received is more than welcome.
https://www.dropbox.com/sh/1ml1x44vhgz7dy1/VMOcIy42QG